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Luhrmann wanted to retain the original Shakespearean diction as not to lose the plays infamous, poetic flare, yet change and exaggerate other ideas rendering it more enticing for a younger generation previously steered away by not only the complex dialect but also the 16th century sets, confusing staging and odd costume.
Luhrmann recognized that this would be one of his main hurdles to create an interesting, yet, realistic environment, which a present day film, based on a four hundred and two year old play could be set in.
The fireworks at the banquet help illustrate to an audience unfamiliar with the works of Shakespeare that the party at Capulet mansion is an important turning point in the play when the two lovers first meet.
Another subtle stage adaptation that reinforces the plot strongly is the fish tank, perfectly situated between Romeo and Juliet when they first meet. It is a lifelike symbol of the feud between the families, suggesting a barrier parting Romeo and Juliet particularly relevant because they can see each other yet can never be together.
Realising the significance of the fish tank also helps people unfamiliar with the story to get more of an idea about how it unfolds and the reasons behind the feud. Away from Capulet mansion Luhrmann also had to create the rest of the city with the same intention to make it more enticing for a younger audience.
Overhead scope shots give the audience a feel for what Verona Beach would look like. Typical of an American city today, it comprises expressways, busy neighbourhoods, traffic jammed roads and much modern inner city deprivation.
Sycamore Grove from the original Shakespearean writing was cleverly adapted to a lively fairground and beach area where the young would gravitate and spend most their days. The pool hall situated in a run down building on the beach where the Montague boys socialize and where Benvolio and Romeo have a game of pool helps a younger generation realize the differences between the two households that Luhrmann must have recognized and focused on.
The Capulet boys are seen as wealthy, aloof, very much more flamboyant about their religion and certainly more ruthless over the feud than the Montagues who appear quite slapdash, idle and just want to muck around — typical of young boys and obvious to an audience the differences between the youths of the two families.
Possibly one of the best setting techniques that Luhrmann used was the abandoned, run down theatre at Sycamore Grove, only consisting of the stage area and the hollow arch way.
Here some of the most climatic moments took place with the audiences view through the hollow arch and the actors behind it as if they were on stage at a real theatre. At the scene when Mercutio is killed by the oppressive Tybalt, the camera zoomed out to show the characters on the make believe stage through the theatre archway and no dialogue was needed as the characters ran off to the sides of the stage just like they would in a real theatre production leaving the dead Mercutio lying motionless centre stage.
At various parts in the film the acting shoots back to the theatre arch at Sycamore Grove and ideally near the end after both Romeo and Juliet had taken their lives, a shot of the Grove is shown with bright stage lights illuminating a dark and empty stage, probably how Romeo and Juliet the play would have culminated at a usual theatre production.
If Luhrmann wanted to show young people that a story such as that of Romeo and Juliet, could just as easily exist today in our fast moving, commercialized world, he needed a city that would suggest the typical life and social backgrounds of today for young people to relate, yet, still be a feasible setting to adapt the ancient love story to.
Luhrmann wanted to suggest his view of the present day world, whilst also incorporating his views on Shakespeare.
To make his fictitious Verona beach more appealing to the youth of today he used a lot of modern inner city deprivation, which would be typical of down town areas. In particular, Luhrmann wanted young people to understand the themes and issues behind the play and not only the violence and love scenes it is famous for.
This posed another problem, yet he did not want to change the language or the whole film would most definitely be tainted and probably not as successful. Ingeniously, Luhrmann used advertising to convey the ideas of the play to a modern world influenced greatly by mass advertising and propaganda.
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In William Shakespeare's Romeo and Juliet, a long feud between the Montague and Capulet families disrupts the city of Verona and causes tragic results for Romeo and Juliet. Revenge, love, and a secret marriage force the young star-crossed lovers to grow up quickly — and fate causes them to commit suicide in despair.
Romeo and Juliet in William Shakespeare's Play Essay - Romeo and Juliet in William Shakespeare's Play ‘O, I am fortunes fool.’ This quote is from the end of Act Three Scene One of Romeo and Juliet.
Romeo, who is a Montague, after he has killed Tybalt, a Capulet, in an angry battle, speaks it. The Theme of Unconditional Love in William Shakespeare's Sonnet - The Theme of Unconditional Love in William Shakespeare's Sonnet 'Sonnet ' sounds as if it is mocking all of the other poems of Shakespeare's era.
Different Presentations Of Love in William Shakespeare's Romeo and Juliet In Romeo and Juliet there are many different types of love. The main type is the true love between Romeo and Juliet. Another type of love is the materialistic love of possessions and power.
Capulet and lady Capulet's love for Juliet is the love the power they have over her. Shakespeare's life in the film is very comparable to Romeo's life in Romeo and Juliet. William Shakespeare's life in the film and the play he is writing has several similarities and differences.
In my opinion, this is one of the best movies and books to compare.